Forget about this week’s world premiere of Game of Thrones; this week, all streaming tips should be aimed towards Amazon Prime and their new mysterious movie, Guava Island – a love story between our two favorite musicians at the moment, Rihanna and Donald Glover.
The prestigious and historical French jewellery maison Cartier has announced its first store opening on Copenhagen soil. The opening will mark the second Scandinavian boutique, since the opening of a boutique in Stockholm, Sweden, last year. According to Cartier, Copenhagen is the “perfect city” for such an opening with its merge between history, tradition and courage to keep moving forward, values that have kept the French jewellery maison above relevant for buyers in over 170 years. The boutique will be located on the famous pedestrian street Strøget, and will comprise more than 200m2 of French exclusivities exhibited in a blend of Parisian elegance and Danish hygge. This will be implemented via wooden materials, Danish furniture and natural colors. The arrangement between Danish modesty and Parisian elegance is expected to be one of its kind and ready for clients at the end of the year.
Californian-based creative mastermind Sterling Ruby has been announced to hit Pitti Immagine Uomo in the forthcoming season, as a Special Guest by debuting a ready-to wear collection. The special presentation will also incorporate his art practice, which comprises paintings, ceramics, collage, film-making, sound installations. Ruby will be presenting the first collection by the S.R STUDIO. LA. CA., hosted on June 13th 2019.
We love the new British Vogue. With stylist Edward Enninful behind the wheel, the publication has, overnight, developed a new relevance in the mainstream fashion space, abundant with multiculturalism, young talent, and self-deprecating humor. Just look at this video of Kate Moss cooking a Sunday Roast for her close pals – what more to ask for in life, really?
My first recollection of Halston was when he appeared as the guest star on the famous American television series The Love Boat. There he was—long, lean, handsome, the embodiment of elegance, and surrounded by a beautiful array of ethnically diverse models glamorously dressed. The Halstonnettes—the entourage that was always by his side—included African American Pat Cleveland and Nordic Karen Bjornsen. I was only 10 watching the re-run of the episode where Halston showcases an entire fashion show on a cruise to Acapulco. He made a lasting impression that defined my ideas on sophistication and fashion. I loved him almost as much as the world did in the 70s. Known for his refreshing minimalism, the American fashion designer invented the one-seam dress, cut-on-the-bias made from silk, chiffon or cashmere; that became the look of the era. His aesthetics encompassed more than fashion. The illusion continued, from his extravagant lifestyle and his mid-century minimalist townhouse in Manhattan to the astronomically priced, opulent, mirrored and glass office at the top of Olympic Tower with panoramic views of New York. Halston, the new documentary, shines light on the designer’s forgotten legacy. After 30 years spent creating his empire, and at the height of his success, Halston sells his name to the JCPenny Corporation with the disastrous consequence of becoming obsolete and ousted from his own brand. I had a fascinating conversation with Frédéric Tcheng, the renowned French director about his latest documentary Halston (featured this year at CPH DOX). Frédéric directed the award winning Dior and I (2014), co-directed Diana Vreeland: The Eye Has to Travel (2011) and co-produced Valentino: The Last Emperor (2008).
While we’re waiting for the last weekend in May, aka the Superbowl of Fashion, aka the Met Ball, fashion enthusiasts as well as ball-attending celebrities (and their stylists) might benefit from some research. This year’s theme – camp – is both a historically ambiguous and quite academic concept – and while we’re very amused by the idea of the Kardashians trying to decipher Susan Sontag’s classic 1964 essay Notes on Camp, we also want to be fair and offer some serious guidance. Thankfully, the Metropolitan Museum of Art just released their first preview of their summer exhibition. Click below for more.
The face of Aweng Mayel Chuol has taken the world by storm. Her unapologetic strength of being a woman of colour, a model, and a life warrior has managed to inspire the masses. The former Vetements exclusive model was discovered in a local Australian McDonalds. Aweng is a vibrant, positive and knowledgeable human, who loves motivating her audience through her social media platforms. She is one of the few models undertaking a double degree and modelling at the same time. Post PFW, she stepped up her career ever so quickly, walking MM6 Maison Margiela in London shortly after. She’s also graced the pages of DANSK. Her career is big, and so are her hopes: she dreams to become a politician in her country, Sudan, and build up orphanages for the less privileged. And the funny fact is that she’s only in her early 20’s.
Calling out all aspiring fashion film makers and fashion film lovers! The Milan Fashion Film Festival has just announced itself open for submission to this year’s festival. The festival will this year be the sixth of its kind, which each year receives over 800 submissions from all over the world. Each year 200 fashion films are selected and presented on FFFMilano, which is held during Milan’s women’s fashion week in September. The Festival presents up-coming talents as well as well-well-established names such as, Gucci, Roberto Cavalli, Balmain, Nike, Gosha Rubchinsky and many more. The festival jury is open for submissions until the 25th of June and in case you are in lack of inspiration, we’ve listed some of the previous year’s winners below.
“I try to portray contemporary stories,” says Simone Lorusso, Italian photographer, content creator and creative director. After graduating in Digital Communication and Fashion Photography from Milan’s IED Academy, he broke his way into industry as a freelancer. Years of hands-on experience led him to build a noteworthy client profile, collaborating with labels such as Prada, Cartier, Moncler, Aspesi and Fay to name a few. His collage work stands as an example of his remarkably holistic thought process: blending powerful imagery – often monochromatic – and juxtaposing bold typography and three-dimensional objects over vast monotone surfaces. That urge of confinement in space is what I personally found most provocative, because gaps leave room to envision, and most times, question one’s self.